Most would not think of Sufjan as a troubled soul; his bright, cheery music on "Illinois" painted him as more of a bandleader of an indie private school than any brooding artist. However, despite the innocuous tone, the lyrics dealt with unanswered prayer, sickness, serial killers, and the darkness that lurks within each of our hearts: in essence, using the guise of state trivia as a platform to discuss deeper issues.
"The Age of Adz" has no quirky disguise of levity.
Adz is an exploration into loneliness, insecurity, bitterness, and unabashed love. The opening track "Futile Devices" washes over the listener in melodious melancholy. It's simplicity is one platter on which the tone of the album is served; the next two ("Too Much" and the title track) betray an entirely different one. It resorts to the tactic used in "Illinois," in which Sufjan nearly overhwhelms a simple melody with a complex wall of precise instrumentation. I won't go over each track; they mostly utilize these two different platters, often in the same song: a sound of inimtimidating instrumental and choral bigness, and one of stripped down humility. The title track and final, 25 minute epic (which does keep one's interest) both begin with a bang that nearly covers Sufjan's vocal melody, but each end with only him and a banjo; the melody that once seemed translucent rings clearly with lyrics like "I'm sorry if I seem self-effacing, consumed by selfish thoughts. It's only that I still love you deeply. It's all the love I've got..."
However, Sufjan uses a much less organic sound than the friendly instruments in "Illinois," trading swirling woodwinds for blaring tech effects. The sound is a colder, more cutting platform for his cold, cutting lyrics. Sufjan blurs and swiggles his voice in autotune during one movement of the epic. Yet, he uses it masterfully as a tool to express his lonely dehumanization. Thus, he knows exactly what he is doing: his experimentation is utterly precise.
Despite the initially cold techy sound, this album seemed to resonate deeply with me. I find it fascinating that Sufjan chose to be his most vulnerable on an album as grandiose as this. It was brilliant. "Age of Adz" affected me deeply. I highly recommend it.

